We first heard Gina Marie and the Golden Bucks in May when they released their debut single, “Pastures of Plenty,” and they’ve been on our radar ever since. Now, with the release of their second single, “Where the Blue of the Night Meets The Gold of the Day,” they’ve once again proven their unique ability to blend vintage Americana with timeless heart. If you thought the debut was impressive, this new track certainly doesn’t disappoint. It’s a nostalgic ride that simultaneously feels fresh and lived-in, capturing that golden thread running through American music history.
At its core, “Where the Blue of the Night Meets The Gold of the Day” is a reimagined early jazz classic, given a delicate mid-century country waltz treatment. The arrangement breathes new life into this old standard, featuring Edgar Gabriel’s expressive fiddle work and John Rice’s soulful Dobro. These instruments dance around Gina Marie’s haunting three-part harmonies. The song has a soothing, almost wistful quality, with lyrics that speak of longing, connection, and the timeless desire to be with someone we love: “Where the blue of the night meets the gold of the day, someone waits for me.” Each note invites listeners to step into a world where musical genres effortlessly blend to tell a story that feels both personal and universal.
The beauty of this track lies in its simplicity and the richness of its arrangement. While the lyrics echo themes of love and distance, the real magic happens between the instruments and vocals. Edgar Gabriel and John Rice, with their fiddle and Dobro duet, create a foundation that is both lush and light. Together with Gina Marie’s nuanced vocals, the result is a piece that captures the emotional depth of early jazz while drawing from the warmth of mid-century country. It’s the perfect example of the Golden Bucks’ ability to fuse genres in a way that feels organic and true to the American soundscape.
The Golden Bucks are the brainchild of Gina Marie DeGregorio, a seasoned musician who cut her teeth in Chicago’s early jazz scene. Her journey into Americana began after a vocal injury almost derailed her career. Seeking solace in Chicago’s vibrant dance community, Gina fell in love with vintage music from the 1920s to the 1960s. With a refreshed perspective and a newfound vocal range after surgery, she began experimenting with blending genres—pulling from jazz, folk, bluegrass, and rockabilly—and the Golden Bucks were born. The band first came together in early 2020, with members representing a wide range of musical styles, bringing their own expertise to the table.
The lineup is impressive: Gina Marie herself leads on drums, vocals, arranging, and production. Brendan Frank adds his electric guitar, Edgar Gabriel mesmerizes on fiddle, Eli Broxham holds down the bass, and John Rice rounds out the sound with acoustic guitar, mandolin, and Dobro. With Rick Barnes from Rax Trax Studio overseeing engineering and production, the result is a tight, cohesive sound that feels like a journey through the history of American music. The band’s debut album, “Pastures of Plenty,” is set to include 10 tracks that reflect various regions and musical eras, and if the singles are any indication, we’re in for a real treat.
Be sure to stream “Where the Blue of the Night Meets The Gold of the Day,” and keep an ear out for more exciting announcements as they gear up to release their full album. You won’t want to miss the unique soundscapes this band continues to craft.
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